Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Paolo Veronese
Giustiana Barbaro and her Nurse (mk08)

ID: 21348

Paolo  Veronese Giustiana Barbaro and her Nurse (mk08)
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Paolo  Veronese Giustiana Barbaro and her Nurse (mk08)


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Paolo Veronese

1528-1588 Paolo Veronese Galleries Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death.  Related Paintings of Paolo Veronese :. | st. jerome | doge sebastiano venier,s thanksgiving for the battle of lepanto | Jesus among the Doctors in the Temple | jove expelling crimes and vices paris | Sacra Conversazione |
Related Artists:
Julius Paulsen
Danish, 1860-1940 Danish painter. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen (1879-82), but found the training there uninspired and soon attached himself to more radical artists such as Peder Severin Kreyer and Laurits Regner Tuxen. A turning-point in his career came in 1885 when, with Viggo Johansen, he went to Paris. On the way they visited Amsterdam, where the art of Rembrandt made a great impact on Paulsen; in Paris he showed interest in Courbet and Monet. From 1886 his time was shared between landscape, figure and portrait painting. His first landscape, From the Village of Ry (1886; Copenhagen, Hirschsprungske Saml.), is an early example of his personal blend of Romanticism and Symbolism; it shows a golden sunset colouring the houses and gardens of the small village. His View from the Harbour after Sunset (1891; Copenhagen, Hirschsprungske Saml.) has much in common with Monet, the Copenhagen skyline barely discernible through a deep blue and iridescent atmosphere. A later visit to Paris inspired such sunlit townscapes as Under Pont des Arts in Paris, Midday Sun (1919; Copenhagen, Stat. Mus. Kst), the shimmering, sketchy surface of which is dominated by fresh blues and greens; the painting incorporates a favourite Impressionist motif, the curved filigree of the iron bridge, which both frames the scene and lends it tension.
KNELLER, Sir Godfrey
German-born English Baroque Era Painter, 1646-1723 English painter and draughtsman of German birth. He was the leading portrait painter in England during the late 17th century and the early 18th, and, as such, the chief recorder of court society for almost 40 years. He popularized the kit-cat format for portraits and was also the founding governor in 1711 of the first proper academy of art in England. His older brother Johann [John] Zachary Kneller (b L?beck, 1642; d London, 1702), with whom he was close, was also a painter; his works include watercolour miniatures and still-lifes,
Francis Wheatley
1747-1801 British Francis Wheatley Location Francis Wheatley (1747 - June 28, 1801), was an English portrait and landscape painter, was born at Wild Court, Covent Garden, London. He studied at Shipleys drawing-school and the Royal Academy, and won several prizes from the Society of Arts. He assisted in the decoration of Vauxhall, and aided Mortimer in painting a ceiling for Lord Melbourne at Brocket Hall (Hertfordshire). In youth his life was irregular and dissipated. He eloped to Ireland with the wife of Gresse, a brother artist, and established himself in Dublin as a portrait-painter, executing, among other works, an interior of the Irish House of Commons. His scene from the Gordon Riots of 1780 was engraved by Heath. He painted several subjects for Boydells Shakespeare Gallery, designed illustrations to Bells edition of the poets, and practised to some small extent as an etcher and mezzotint-engraver. It is, however, as a painter, in both oil and water-color, of landscapes and rustic subjects that Wheatley is best remembered. He was elected an associate of the Royal Academy in 1790, and an academician in the following year. His wife, as Mrs Pope after his death, was known as a painter of flowers and portraits.






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